tag:blogger.com,1999:blog-79445758992450624472024-02-19T00:45:03.534-08:00Resurrection Beat MachineRob Keithhttp://www.blogger.com/profile/10078103056137847453noreply@blogger.comBlogger34125tag:blogger.com,1999:blog-7944575899245062447.post-47734438362553597952017-05-27T07:13:00.004-07:002017-05-27T07:13:47.197-07:00The Boys Next Door - I Could See Me Dancing With You & There Is No Greater Sin - Cameo (1965)<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: Arial, Helvetica, sans-serif;"><i>"You boast about how you'll wreck her when you're through."</i> For 1965, this was an unusually direct commentary condemning the sexual conquests of young men. Ah, The Boys Next Door from Indianapolis, Indiana. Sundazed reissued and beautifully remastered their catalogue in 1999, but this completely flew over my radar and the CD, like the vinyl, is long out of print. It's well worth hunting down. It seems that the group toyed with a variety of sounds and images in their mid-60s career. <i>I Could See Me Dancing With You</i> is a distant bt gutsy cousin of <i>Dance Dance Dance</i> by the Beach Boys. <i>There Is No Greater Sin</i> sounds more like a great lost Turtles song with chiming guitar sound throughout. Amazingly, both songs appeared on the same 45, making this one of the great unheard double sided pop singles of the 1960s.</span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>The Boys Next Door - I Could See Me Dancing With You - Cameo (1965)</b></span></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><b>The Boys Next Door - There Is No Greater Sin - Cameo (1965)</b></span><br />
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<tr><td class="tr-caption" style="text-align: center;">The Boys Next Door - Cameo (1965) & Sundazed (1999)</td></tr>
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Rob Keithhttp://www.blogger.com/profile/10078103056137847453noreply@blogger.com1tag:blogger.com,1999:blog-7944575899245062447.post-21297874857620526882016-08-01T19:26:00.001-07:002016-08-01T19:26:17.731-07:00Val McKenna - House For Sale - Spark (1968) <div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: Arial, Helvetica, sans-serif;"><i>House For Sale</i> is a killer from Val McKenna originally released on the Spark label in 1968. Pop tracks like this are often missed by compilers, which is a shame. This is top notch stuff. Amazing lyrics and seductive chorus.<br /></span><div class="separator" style="clear: both; text-align: center;">
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Rob Keithhttp://www.blogger.com/profile/10078103056137847453noreply@blogger.com1tag:blogger.com,1999:blog-7944575899245062447.post-45068581079514096202016-07-15T14:35:00.000-07:002016-07-15T14:35:15.391-07:00The Zephyrs - There's Something About You - Rotate (1965) Shel Talmy Production <div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: Arial, Helvetica, sans-serif;">I was on a kick a few years ago to discover other Shel Talmy productions outside of the Kinks and the Who, and discovered this great tune by the Zephyrs. So much good music was coming out of Britain in the 1960s, it wasn't possible for everything that deserved to be a hit to become one. This is another one of those classics that slipped through.</span></div>
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<tr><td class="tr-caption" style="text-align: center;">The Zephyrs - There's Something About You - Rotate (1965) Shel Talmy Production </td></tr>
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Rob Keithhttp://www.blogger.com/profile/10078103056137847453noreply@blogger.com1tag:blogger.com,1999:blog-7944575899245062447.post-42162167090327704832016-07-01T19:58:00.000-07:002016-07-01T19:58:04.371-07:00The Black Sheep - It's My Mind - Columbia (1966) <div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: Arial, Helvetica, sans-serif;">I know very little about this blistering folk rocker. It's a US band. Rumor was that actor Mark Harmon was in the band, but this turned out to be untrue. <i>It's My Mind</i> was not a hit, but is much better than most garage rock that ends up on comps. Thank you to <a href="https://www.youtube.com/channel/UCBjwvEaPb3CtYFcKLz1sWbw" target="_blank">Opulent Conceptions</a> for turning me onto this track.</span></div>
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<tr><td class="tr-caption" style="text-align: center;">The Black Sheep - It's My Mind - Columbia (1966) </td></tr>
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Rob Keithhttp://www.blogger.com/profile/10078103056137847453noreply@blogger.com0tag:blogger.com,1999:blog-7944575899245062447.post-42106387195843547802016-06-21T19:19:00.003-07:002016-06-21T19:29:51.626-07:00Gullivers People - Splendor In The Grass & Took This Land - Parlophone (1966) <div dir="ltr" style="text-align: left;" trbidi="on">
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="color: #eeeeee;">Glorious Stuff! I first heard this song on the excellent Dream Babes series. <i>Splendor In The Grass</i> was written by Jackie De Shannon and recorded with the Byrds. While Jackie's recordings for Liberty were often glorious and meticulous, her original version seemed a little shambolic. The Byrds were a shortcoming in this case, unfortunately. The all-female group called the Boys recorded the song later, but the Gullivers People version is the best of the three. This is partly due to the stunning production that made mid-60s British recordings so compelling. I also included the b-side, <i>Took This Land</i>, a pop folk protest song which was trendy during this period. Again, the production elevates the song.</span></span><br />
<span style="color: #eeeeee; font-family: "arial" , "helvetica" , sans-serif;"><br /><b>Gullivers People - Splendor In The Grass - Parlophone (1966) </b></span><br />
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Rob Keithhttp://www.blogger.com/profile/10078103056137847453noreply@blogger.com0tag:blogger.com,1999:blog-7944575899245062447.post-34730345928021782712016-06-16T10:56:00.003-07:002016-06-16T10:58:26.799-07:00Antoine - Ma Ceinture De Sécurité - Disques Vogue (1971) <div dir="ltr" style="text-align: left;" trbidi="on">
<span style="color: #eeeeee; font-family: "arial" , "helvetica" , sans-serif;">Although <i>Ma Ceinture De Sécurité</i> is from 1971, this classic by Antoine tucked away as a C-side on a 3 song single sounds very 60s. The production is fantastic. The song has a cool, laid back beat and a perfect sneer from Antoine. I first heard this song at the Vampyros Lesbos party with DJ Franco (now Voodoo Funk). As Jeff Goldblum says, "It's a scorcher."</span><br />
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<span style="color: #eeeeee;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Antoine - Ma Ceinture De Sécurité - Disques Vogue (1971) </span></span><br />
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Rob Keithhttp://www.blogger.com/profile/10078103056137847453noreply@blogger.com0tag:blogger.com,1999:blog-7944575899245062447.post-90250281141377132852016-06-07T15:00:00.000-07:002016-06-07T15:00:06.696-07:00The Ragamuffins - Don't Be Gone Long - Tollie (1964) <div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="color: #eeeeee; font-family: Arial, Helvetica, sans-serif;">I owe YouTube user sunshinetunes67 a thank you for turning me on to this moody, atmospheric slice of vocal pop. I found a nice clean copy of <i>Don't Be Gone Long</i>, improving the fidelity a bit over the current version on YouTube. This type of song would nearly vanish shortly after 1964 thanks to those pesky mop headed quartets. Gary Zekley wrote and produced for many acts in the 60s, including the Clique, Mama's and the Papa's and Spanky and Our Gang.</span></div>
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Rob Keithhttp://www.blogger.com/profile/10078103056137847453noreply@blogger.com0tag:blogger.com,1999:blog-7944575899245062447.post-50569522663083042032016-06-01T05:18:00.003-07:002016-06-01T05:20:27.135-07:00Gary Usher - It's A Lie - Capitol (1965) <div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="color: #eeeeee; font-family: "arial" , "helvetica" , sans-serif;">I recently got on a Gary Usher kick after hearing the amazing <a href="http://resurrectionbeatmachine.blogspot.com/search/label/The%20Castells" target="_blank">Just Walk Away by the Castells</a>. The man behind the knobs was Gary Usher, famous for his work with the Beach Boys and late 60s psych projects. Usher was responsible for a number of mid-60s gems. Because I tend to gravitate towards pop songs neatly compressed in under 3 minutes, songs like <i>It's A Lie</i> are right up my alley. The song suggests a subtle move away from surf into folk rock territory, with chiming guitars and Beatles For Sale inspired complaints. </span></div>
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<span style="color: #eeeeee; font-family: "arial" , "helvetica" , sans-serif;"><b>Gary Usher - It's A Lie - Capitol (1965) </b></span></div>
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #eeeeee;">Gary Usher - It's A Lie - Capitol (1965) </span></td></tr>
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Rob Keithhttp://www.blogger.com/profile/10078103056137847453noreply@blogger.com0tag:blogger.com,1999:blog-7944575899245062447.post-64375360730800571442016-05-21T17:52:00.002-07:002016-05-21T17:53:02.140-07:00Joe Brown - Sally Ann - Piccadilly (1963) <div dir="ltr" style="text-align: left;" trbidi="on">
<span style="color: #eeeeee; font-family: "arial" , "helvetica" , sans-serif;"><i>Sally Ann</i> is a cool 3/4 time song written by famed manager to the stars Allen Klein. Joe Brown scored a deserved hit with this number in 1963. The production is gorgeous and thick, likely recorded in Pye Studios.</span><br />
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<span style="color: #eeeeee; font-family: "arial" , "helvetica" , sans-serif;"><b>Joe Brown - Sally Ann - Piccadilly (1963) </b></span><br />
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Rob Keithhttp://www.blogger.com/profile/10078103056137847453noreply@blogger.com0tag:blogger.com,1999:blog-7944575899245062447.post-36196851800840207082016-05-14T10:10:00.002-07:002016-05-22T13:29:18.443-07:00Françoise Hardy - Je Pensais (1965) & finding the elusive L' Integrale Disques Vogue 1962/1967 (The Complete Vogue Recordings) boxed set<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="color: #eeeeee; font-family: "arial" , "helvetica" , sans-serif;">Full credit should go to Richie Unterberger's 1998 book, <i>Unknown Legends of Rock n' Roll, </i>for introducing me to Françoise Hardy. Pre-Internet, it was difficult to find her music aside from a few CD compilations at Tower Records in New York City. What I was really after was a boxed set called<i> L' Integrale Disques Vogue 1962/1967 (The Complete Vogue Recordings)</i> released in 1995. Unfortunately, the boxed set was extremely limited and I never saw it for sale. The box was ideal, because it contained Hardy's complete French recordings for Vogue Records from 1962 - 1967. Fortunately, a lot has changed since the late 1990s. Françoise Hardy's albums have been reissued with wonderful packaging, including rare recordings made in other languages. Occasionally, <i>L' Integrale Disques Vogue 1962/1967 (The Complete Vogue Recordings)</i> pops up on eBay for ridiculous prices. After seeing another one appear on eBay this spring for $450, I decided to go on a scavenger hunt. The original boxed set contained 83 songs on 4 CDs. My question: Is there anything on <i>L' Integrale Disques Vogue 1962/1967 (The Complete Vogue Recordings) </i>that has not been reissued since? What songs am I missing? Is it worth buying the 1995 boxed set?</span></div>
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<tr><td style="text-align: center;"><span style="color: #eeeeee; font-family: "arial" , "helvetica" , sans-serif;"> <img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0DYqvj6HP38lrskP_HBOYsoIjxap3gRTmR2_v-YMy_BolnrcOY_rkVXEX5bdwFjc1SJaqR3vR8rRm9gZPKvj4mfm63c2hEXxzwqbcXws4RdgECB9d34hABeLKE0ejmPljeYnXYWLLbPk/s400/Francoise-Hardy-Complete-Vogue-Years.jpg" style="margin-left: auto; margin-right: auto;" width="313" /></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: #eeeeee; font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small;">Françoise Hardy - L' Integrale Disques Vogue 1962/1967 (The Complete Vogue Recordings) boxed set</span></td></tr>
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<span style="color: #eeeeee; font-family: "arial" , "helvetica" , sans-serif;">The answer? It has all been reissued. It is not worth buying the 1995 boxed set unless you are a die hard collector who needs to complete a collection of physical media. In fact, 79 of the 83 tracks appear on a 2009 boxed set called <i>La Collection 62-66</i>. This later box contains 93 tracks, meaning the buyer gets 14 additional foreign language tracks<i>.</i> Best of all, copies can still be had for well under $100, but the buyer will still be missing 4 songs from the 1995 Complete Vogue Years box.</span></div>
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #eeeeee; font-family: "arial" , "helvetica" , sans-serif; font-size: xx-small;">Françoise Hardy - <i style="text-align: left;">La Collection 62-66</i></span></td></tr>
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<span style="color: #eeeeee; font-family: "arial" , "helvetica" , sans-serif;">For you obsessive types who want it all, the last 4 tracks that appear on <i>L' Integrale Disques Vogue 1962/1967 (The Complete Vogue Recordings)</i> but NOT on <i>La Collection 62-66</i> are<i>:</i></span></div>
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<span style="color: #eeeeee; font-family: "arial" , "helvetica" , sans-serif;">Track 80 & 83: <i>Voilá</i> & <i>Qui Peut Dire</i> - These two tracks appear on the album <i>Ma Jeunesse Fout Le Camp</i>. This album can be purchased cheaply as a standalone or in a boxed set called <i>5 Albums Originaux</i>, an extremely affordable and recommended boxed set covering her late 1960s and early 1970s output.</span></div>
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<span style="color: #eeeeee; font-family: "arial" , "helvetica" , sans-serif;">Track 81: <i>(Les) Petits Garçons</i> - This track is on a number of compilations, including <i>The Vogue Years</i>. Like track 82, it also appeared on the vinyl Voilà EP.</span></div>
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<span style="color: #eeeeee;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Track 82: </span><i style="font-family: Arial, Helvetica, sans-serif;">Au Fond Du Rêve Doré</i><span style="font-family: "arial" , "helvetica" , sans-serif;"> - This is the oddball song from </span><i style="font-family: Arial, Helvetica, sans-serif;">L' Integrale Disques Vogue 1962/1967 (The Complete Vogue Recordings).</i><span style="font-family: "arial" , "helvetica" , sans-serif;"> Later, Françoise re-recorded this song with the band Air. The original version of </span><i style="font-family: Arial, Helvetica, sans-serif;">Au Fond Du Rêve Doré</i><span style="font-family: "arial" , "helvetica" , sans-serif;"> is available on the vinyl Voilà EP, which is still pretty cheap on Discogs. <i style="font-family: Arial, Helvetica, sans-serif;">Au Fond Du Rêve Doré</i> has also been reissued on a few CDs, including </span><i style="font-family: Arial, Helvetica, sans-serif;">100 Chansons, Story 1965-1967</i><span style="font-family: "arial" , "helvetica" , sans-serif;"> and </span><i style="font-family: Arial, Helvetica, sans-serif;">Blues</i><span style="font-family: "arial" , "helvetica" , sans-serif;">. Most of the CDs are out of print and vary in price. </span></span></div>
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<span style="color: #eeeeee; font-family: "arial" , "helvetica" , sans-serif;">That's it. Is it worth going to all of this trouble to pursue Françoise Hardy's catalogue? Absolutely! Even nearly 20 years after first hearing her music, songs still pop up that surprise and intrigue me. <i>Je Pensais</i> showed up on a random mix last month and reminded me how great Françoise Hardy was and continues to be.</span><br />
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<span style="color: #eeeeee; font-family: "arial" , "helvetica" , sans-serif;"><b>Françoise Hardy - Je Pensais from L'Amitié - Vogue Records (1965) </b></span></div>
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Rob Keithhttp://www.blogger.com/profile/10078103056137847453noreply@blogger.com1tag:blogger.com,1999:blog-7944575899245062447.post-11701459658016348522016-05-07T10:36:00.001-07:002016-05-07T10:36:30.468-07:00Bobby Fuller Four - Never To Be Forgotten (mono LP version & stereo Mustang Years version) - 1966 & The Reverb / Delay of the BF4<div dir="ltr" style="text-align: left;" trbidi="on">
<span style="color: #eeeeee; font-family: "arial" , "helvetica" , sans-serif;">For years, I wondered how Bob Keane got the incredible reverb sound on the Bobby Fuller Four records. The secret was revealed in Keane's 2006 autobiography, <i>The Oracle of Del-Fi</i> on page 213 and 2014:</span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><i>"One of the outstanding features - which was responsible for that great cavernous sound on Bobby's records - was our echo chambers, actually under the bank, two floors below our studio. The bank okayed the use of the unused vaults as echo chambers, and for several days, Bobby, and the band and I went to work "processing" the walls in the smaller rooms, even building some false walls so the sound wouldn't slap when reverberating. After placing speakers and microphones in the chambers to pick up the "reverb," we were ready to record what I believed would be the Bobby Fuller Four's first big hit for Del-Fi/Mustang."</i></span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;">The song that Keane was hoping would be the first big hit was <i>Let Her Dance</i>. Although it was a regional hit and a minor national hit, peaking at #45, success came shortly after with<i> I Fought The Law</i>. Interestingly, Keane explained that the band were not keen (sorry) to shed some of their raw, Buddy Holly inspired sound in favor of the Mustang productions reverb-o-rama. Although I understand the concern of the band, I feel that the bank vault reverb took the Bobby Fuller Four into modern, interesting and even innovative sonic territory. Their Texas recordings never came close to this.</span></span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><i>Never To Be Forgotten</i> is one of many great nearly-unheard songs by the BFF. The stereo version is really interesting, but the vocals are buried under a huge cloud of bank vault verb and echo. Only in the mono version, which was never reissued, can you hear the band clearly. Honestly, I love both versions. The stereo version sounds like a monstrous painting.</span></span><br />
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<span style="color: #eeeeee; font-family: "arial" , "helvetica" , sans-serif;"><b>Bobby Fuller Four - Never To Be Forgotten (stereo remaster) from The Mustang Years - Mustang (1997)</b></span></div>
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Rob Keithhttp://www.blogger.com/profile/10078103056137847453noreply@blogger.com0tag:blogger.com,1999:blog-7944575899245062447.post-49220617771996923922016-05-01T10:25:00.003-07:002016-05-01T10:25:24.973-07:00Bern Elliott - Good Times - Decca & London (1964) <div dir="ltr" style="text-align: left;" trbidi="on">
<span style="color: #eeeeee; font-family: Arial, Helvetica, sans-serif;">According to Wikipedia, we have Phil Smee, a music journo, to thank for coining the term Freakbeat in the 1980s to describe the harder edged, post-British Invasion pop sound. To my ears, Bern Elliott's <i>Good Times</i> definitely fits snuggly into the Freakbeat category, with the song's in-the-red soul vocals and spooky reverbed organ. Although <i>Good Times</i> never appeared on Greg Shaw's Bomp/AIP Freakbeat compilations, possibly because it had been reissued on larger labels by this time, it would have been a worthy addition.<br /><br /><b>Bern Elliott - Good Times - Decca & London (1964) </b></span><div>
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #eeeeee;">Bern Elliott - Good Times - London (1964) </span></td></tr>
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Rob Keithhttp://www.blogger.com/profile/10078103056137847453noreply@blogger.com0tag:blogger.com,1999:blog-7944575899245062447.post-3509753381000423332016-04-21T06:01:00.002-07:002016-04-21T06:01:31.628-07:00Johnny Sandon - Some Kind Of Wonderful - Pye (1964) <div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="color: #eeeeee; font-family: "arial" , "helvetica" , sans-serif; text-align: left;"><i>Some Kind of Wonderful</i> (mislabeled <i>Some Kinda Wonderful</i>) is Johnny Sandon's cover of the Drifters 1961 classic written by Gerry Goffin and Carole King. While Sandon's does not top the Drifters version in originality, the recording is gorgeous and full of British beat energy, bravado and walloping production. The original 45 is scarce. Fortunately, it was beautifully preserved and reissued in 1991 on the Best of Tommy Quickly (which is now also hard to find) and later on the Beat Beat Beat 5 CD series.</span></div>
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #eeeeee;">Johnny Sandon - Some Kind Of Wonderful - Pye (1964)</span></td></tr>
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Rob Keithhttp://www.blogger.com/profile/10078103056137847453noreply@blogger.com0tag:blogger.com,1999:blog-7944575899245062447.post-67448784322881866252016-04-14T09:09:00.001-07:002016-04-14T09:09:15.119-07:00The Neptunes - Shame Girl - Warner Brothers (1964) <div dir="ltr" style="text-align: left;" trbidi="on">
<span style="color: #eeeeee; font-family: "arial" , "helvetica" , sans-serif;">I was unaware of Gary Usher's fantastic production work for the Cascades and more obscure early 60s groups, like the Neptunes, until recently. While his later work with groups like Sagittarius is great, I tend to favor this era of pop song. <i>Shame Girl</i> was recorded in July of 1964 and is full of beach balls + bikini buoyancy. Incidentally, the tune sounds quite "hot" and on the edge of distorting. I wonder if Usher pushed the gear to the limit to give <i>Shame Girl </i>some edge when mixing or if the distortion came out during mastering. A little distortion never hurt, especially a genre like surf that needs some toughness.</span><br />
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #eeeeee;">The Neptunes - Shame Girl - Warner Brothers (1964) </span></td></tr>
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Rob Keithhttp://www.blogger.com/profile/10078103056137847453noreply@blogger.com0tag:blogger.com,1999:blog-7944575899245062447.post-16332785978100642042016-04-07T15:37:00.005-07:002016-04-07T15:37:56.294-07:00Jonathan King - Mary My Love - Decca (1973) <div dir="ltr" style="text-align: left;" trbidi="on">
<span style="color: #cccccc; font-family: Arial, Helvetica, sans-serif;"><i>Mary My Love</i> may be the great lost hit of the 1970s. I realize that this is largely a 60s blog, but this one is too good not to post. I'd rather not get into Mr. King's complex personal history in RBM. I first heard this song on King's boxed set called <i>King Of Hits,</i> which may be the craziest, silliest, gutsiest, catchiest, most entertaining group of songs ever assembled. The word guile might sum up Mr. King in his entirety. For his recordings, that is a very good thing indeed. The picture sleeve below comes from Italy.</span><div>
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<tr><td class="tr-caption" style="text-align: center;">Jonathan King - Mary My Love - Decca (1973) - Italian picture sleeve</td></tr>
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Rob Keithhttp://www.blogger.com/profile/10078103056137847453noreply@blogger.com0tag:blogger.com,1999:blog-7944575899245062447.post-30207487335577486002016-04-01T15:58:00.003-07:002016-04-07T01:44:53.708-07:00The Lettermen - She Don't Want Me (mono & stereo) from Warm - Capitol (1967)<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: Arial;"><span style="color: #eeeeee;"><b>Song:</b> She Don't Want Me<o:p></o:p></span></span></div>
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<span style="font-family: Arial;"><span style="color: #eeeeee;"><b>Writers:</b> Dick
Addrisi-Eddie Chandler<o:p></o:p></span></span></div>
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<span style="font-family: Arial;"><span style="color: #eeeeee;"><b>Recorded: </b>1967<o:p></o:p></span></span></div>
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<span style="font-family: Arial;"><span style="color: #eeeeee;"><b>Producer:</b> Steve Douglas<o:p></o:p></span></span></div>
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<span style="font-family: Arial;"><span style="color: #eeeeee;">My father saw the Lettermen
in concert in the early 60s and said that the show was magical. My parents
didn't spin them around the house during my childhood, favoring Simon &
Garfunkel, the Moody Blues and the Beatles. As a result, my knowledge of the
work of the Lettermen is fairly limited. I have been surprised to discover that
the Lettermen recorded in some styles outside of the soft harmony pop that they
were known for. She Don't Want Me nearly sounds like a Left Banke
song, with gorgeous baroque pop touches. <o:p></o:p></span></span></div>
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<span style="font-family: Arial;"><b><span style="color: #eeeeee;">The Lettermen - She Don't
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<span style="color: #eeeeee;"><iframe allowfullscreen="" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/DT6aLuT58mk/0.jpg" frameborder="0" height="266" src="https://www.youtube.com/embed/DT6aLuT58mk?feature=player_embedded" width="320"></iframe></span></div>
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #eeeeee;">The Lettermen - Warm - Capitol (1967)</span></td></tr>
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Rob Keithhttp://www.blogger.com/profile/10078103056137847453noreply@blogger.com1tag:blogger.com,1999:blog-7944575899245062447.post-56777153708325032352016-03-21T18:22:00.002-07:002016-04-01T15:44:27.994-07:00The Thomas Group - Penny Arcade - Dunhill (1966) <div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="color: #eeeeee; font-family: "arial" , "helvetica" , sans-serif;"><b>Song:</b> Penny Arcade</span></div>
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<span style="color: #eeeeee; font-family: "arial" , "helvetica" , sans-serif;"><b>Writers:</b> Sloan-Barri</span></div>
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<span style="color: #eeeeee; font-family: "arial" , "helvetica" , sans-serif;"><b>Recorded: </b>May 1966</span></div>
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<span style="color: #eeeeee; font-family: "arial" , "helvetica" , sans-serif;"><b>Producer: </b>Lou Adler</span></div>
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<span id="docs-internal-guid-f1ba248c-9be1-ec5f-88ec-646863718da3"><span style="color: #eeeeee; font-family: "arial"; font-size: 14.6667px; vertical-align: baseline; white-space: pre-wrap;"><i>Penny Arcade</i> is one of many great lost songs from the great, and recently late, P.F. Sloan and collaborator Barri. Sloan was a member of The Thomas Group. Sloan speculated that producer Lou Adler prevented his records from becoming hits to keep him working for Dunhill. </span></span></div>
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<span style="color: #eeeeee; font-family: "arial";"><span style="font-size: 14.6667px; white-space: pre-wrap;"><b>The Thomas Group - Penny Arcade - Dunhill (1966)</b></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLVX3D5h6XtXAcOaEyTj7SPbcMKQpU8ui1-3rPFFLM6NdCxkfp589RRCKxboffu1RZLYvE5GDsQOK_eiTpMxR34cTA0cuB1g65rw43-LKIyaPgrUrFrS3Ek1ocpO05F0oei3b4F0LPpfQ/s1600/Thomas-Penny-1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="color: #eeeeee;"><img border="0" height="387" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLVX3D5h6XtXAcOaEyTj7SPbcMKQpU8ui1-3rPFFLM6NdCxkfp589RRCKxboffu1RZLYvE5GDsQOK_eiTpMxR34cTA0cuB1g65rw43-LKIyaPgrUrFrS3Ek1ocpO05F0oei3b4F0LPpfQ/s400/Thomas-Penny-1.jpg" width="400" /></span></a></div>
<span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="color: #eeeeee;"><br /></span></span></div>
Rob Keithhttp://www.blogger.com/profile/10078103056137847453noreply@blogger.com0tag:blogger.com,1999:blog-7944575899245062447.post-42938374323172726912016-03-14T14:12:00.003-07:002016-03-14T14:17:23.887-07:00The Shadows - Will You Be There? - EMI Columbia (1966)<div dir="ltr" style="text-align: left;" trbidi="on">
<div class="separator" style="clear: both; text-align: left;">
<span style="color: #eeeeee; font-family: "arial" , "helvetica" , sans-serif;"><b>Song:</b> Will You Be There?</span></div>
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<span style="color: #eeeeee; font-family: "arial" , "helvetica" , sans-serif;"><b>Writers:</b> Marvin-Welch</span></div>
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<span style="color: #eeeeee; font-family: "arial" , "helvetica" , sans-serif;"><b>Recorded: </b>June 24th, 1966</span></div>
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<span style="color: #eeeeee; font-family: "arial" , "helvetica" , sans-serif;">The Shadows were successful, absurdly talented and underrated outside of the UK. The group were overshadowed and maligned by the Beatles, perhaps because they were the primary professional competition during the early days. Even in Anthology, George Harrison dismissively mocks the Shadows galloping style. Thanks to beautiful, inexpensive reissues and Bill Luther, I now know better. Although they are best known for their instrumentals and backing work for Cliff Richard, the Shadows took a few cracks at recording vocal pop records of their own. The results were excellent. Having the thick, powerful EMI sound gave the Shadows records majesty. Run, don't walk, and purchase as much by the Shadows as you can.</span></div>
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<span style="font-family: "arial";"><span style="color: #eeeeee;"><i>No copyright infringement
intended. I will remove this immediately at the request of the owners. This
channel and blog are not monetized. The purpose is to promote the music. If you
like what you hear and it is available on cd, vinyl or as a digital download,
please purchase and support the artists & labels.</i><o:p></o:p></span></span></div>
<div class="separator" style="clear: both; text-align: left;">
<span style="color: #eeeeee; font-family: "arial" , "helvetica" , sans-serif;"><br /></span></div>
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<span style="color: #eeeeee; font-family: "arial" , "helvetica" , sans-serif;"><b>The Shadows - Will You Be There? - EMI Columbia (1966)</b></span></div>
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<span style="color: #eeeeee; font-family: "arial" , "helvetica" , sans-serif;"><iframe allowfullscreen="" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/yB1OIFXyXMc/0.jpg" frameborder="0" height="266" src="https://www.youtube.com/embed/yB1OIFXyXMc?feature=player_embedded" width="320"></iframe></span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcQbKoOsXzTdoNiPheXAJEt-0i_BrjJoBcdfDR-87f35iR1AtqR1Us6KG2EjLOM9QBOvg85QTbrrZsraK_rBiPylm3iyHSApWix28CnXU2xa_ZK2HPBeW4La9mCoEo8ae9-wkG_6DA2k8/s1600/shadows+2.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><span style="color: #eeeeee;"><img border="0" height="375" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcQbKoOsXzTdoNiPheXAJEt-0i_BrjJoBcdfDR-87f35iR1AtqR1Us6KG2EjLOM9QBOvg85QTbrrZsraK_rBiPylm3iyHSApWix28CnXU2xa_ZK2HPBeW4La9mCoEo8ae9-wkG_6DA2k8/s400/shadows+2.png" width="400" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: #eeeeee;">The Shadows - Will You Be There? - EMI Columbia (1966)</span></td></tr>
</tbody></table>
<br /></div>
Rob Keithhttp://www.blogger.com/profile/10078103056137847453noreply@blogger.com0tag:blogger.com,1999:blog-7944575899245062447.post-82229989282215963452016-03-07T16:54:00.001-08:002016-03-07T16:54:18.578-08:00The Savages - Little Miss Sad - National & Laurie (1966)<div dir="ltr" style="text-align: left;" trbidi="on">
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
<span style="color: #eeeeee;"><span style="background-color: transparent; font-family: "arial"; font-size: 14.6667px; font-style: normal; font-variant: normal; font-weight: 700; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">Song:</span><span style="background-color: transparent; font-family: "arial"; font-size: 14.6667px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"> Little Miss Sad</span></span></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
<span style="color: #eeeeee;"><span style="background-color: transparent; font-family: "arial"; font-size: 14.666666666666666px; font-style: normal; font-variant: normal; font-weight: 700; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">Writers: </span><span style="background-color: transparent; font-family: "arial"; font-size: 14.6667px; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">D. Addrisi & D. Addrisi</span></span></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
<span style="color: #eeeeee;"><span style="background-color: transparent; font-family: "arial"; font-size: 14.666666666666666px; font-style: normal; font-variant: normal; font-weight: 700; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">Recorded:</span><span style="background-color: transparent; font-family: "arial"; font-size: 14.666666666666666px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"> 1966 at H&H Productions - Tampa, Florida</span></span></div>
<span style="color: #eeeeee;"><b id="docs-internal-guid-1c17c82f-4178-8016-e0b4-7fcd3935e7b0" style="font-weight: normal;"><br /></b>
</span><br />
<div dir="ltr" style="margin-bottom: 0pt; margin-top: 0pt;">
<span style="color: #eeeeee; font-family: arial;"><i style="font-size: 14.6667px; line-height: 22.4889px; white-space: pre-wrap;">Little Miss Sad</i><span style="font-size: 14.6667px; line-height: 22.4889px; white-space: pre-wrap;"> was enough of a hit for Tampa, Florida's The Savages in 1966 to warrant a licensing deal from Laurie records. Tampa had a fantastic pop scene in the mid-1960s that was, perhaps, several bars higher in quality than most other small markets in the United States.</span></span></div>
<span style="color: #eeeeee;"><br /></span>
<span style="color: #eeeeee; font-family: "arial"; font-size: 14.6667px; vertical-align: baseline; white-space: pre-wrap;">No copyright infringement intended. I will remove this immediately at the request of the owners. This channel and blog are not monetized. The purpose is to promote the music. If you like what you hear and it is available on cd, vinyl or as a digital download, please purchase and support the artists & labels.</span><br />
<span style="color: #eeeeee;"><span style="font-family: "arial"; font-size: 14.6667px; vertical-align: baseline; white-space: pre-wrap;"><br /></span>
<span style="font-size: 14.6667px; vertical-align: baseline; white-space: pre-wrap;"><span style="font-family: "arial";"><b>The Savages - Little Miss Sad - National & Laurie (1966)</b></span></span></span><br />
<span style="color: #eeeeee;"><span style="font-size: 14.6667px; vertical-align: baseline; white-space: pre-wrap;"><span style="font-family: "arial";"><br /></span></span>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7SWxWqcmjygF6fTvz8wod5duuCkNC1dv23K_F8vsEzlvdgxmTxm4PJXkJR7N7iDJ14r8Qnymo_0Y93NIM8gJe6VrzQVr-5L3S9p4QR11MA1pDnWOwWofFiVoxlvTy61phWc-xpFfXldI/s1600/savages+1.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="color: #eeeeee;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7SWxWqcmjygF6fTvz8wod5duuCkNC1dv23K_F8vsEzlvdgxmTxm4PJXkJR7N7iDJ14r8Qnymo_0Y93NIM8gJe6VrzQVr-5L3S9p4QR11MA1pDnWOwWofFiVoxlvTy61phWc-xpFfXldI/s400/savages+1.jpeg" width="397" /></span></a></div>
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Rob Keithhttp://www.blogger.com/profile/10078103056137847453noreply@blogger.com0tag:blogger.com,1999:blog-7944575899245062447.post-51131549509623465382016-03-01T11:00:00.001-08:002016-03-01T11:00:41.565-08:00Kingston Trio - Three Song from Stay Awhile - Decca (1965) <div dir="ltr" style="text-align: left;" trbidi="on">
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
<span style="color: #cccccc;"><span style="background-color: transparent; font-family: "arial"; font-size: 14.666666666666666px; font-style: normal; font-variant: normal; font-weight: 700; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">Song:</span><span style="background-color: transparent; font-family: "arial"; font-size: 14.666666666666666px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"> Three Song</span></span></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
<span style="color: #cccccc;"><span style="background-color: transparent; font-family: "arial"; font-size: 14.666666666666666px; font-style: normal; font-variant: normal; font-weight: 700; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">Writer: </span><span style="background-color: transparent; font-family: "arial"; font-size: 14.6667px; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">Mason Williams</span><span style="background-color: transparent; font-family: "arial"; font-size: 14.6667px; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"> </span></span></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
<span style="color: #cccccc;"><span style="background-color: transparent; font-family: "arial"; font-size: 14.666666666666666px; font-style: normal; font-variant: normal; font-weight: 700; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">Producer:</span><span style="background-color: transparent; font-family: "arial"; font-size: 14.666666666666666px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"> Frank Werber</span></span></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
<span style="color: #cccccc;"><span style="background-color: transparent; font-family: "arial"; font-size: 14.666666666666666px; font-style: normal; font-variant: normal; font-weight: 700; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">Recorded:</span><span style="background-color: transparent; font-family: "arial"; font-size: 14.666666666666666px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"> 1965</span></span></div>
<span style="color: #cccccc;"><b id="docs-internal-guid-1c17c82f-40f5-85a9-ab37-8f01d1e78844" style="font-weight: normal;"><br /></b>
</span><br />
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
<span style="background-color: transparent; color: #cccccc; font-family: "arial"; font-size: 14.666666666666666px; font-style: italic; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">Welcome to the Resurrection Beat Machine! This blog is dedicated to lost 60s pop songs from the US, UK and abroad. Whenever possible, please purchase music and support the artists / labels. <a href="http://www.amazon.com/Stay-Awhile-Kingston-Trio/dp/B000001846/ref=sr_1_1?ie=UTF8&qid=1448493940&sr=8-1&keywords=kingston+trio+stay+awhile" target="_blank">Kingston Trio - Stay Awhile available here.</a></span></div>
<span style="color: #cccccc;"><br /></span>
<span style="color: #cccccc;"><span style="font-family: "arial"; font-size: 14.6667px; vertical-align: baseline; white-space: pre-wrap;"><i>Three Song</i> was recorded for a group of Decca albums during latter part of the career of the Kingston Trio, sometimes called the (John) Stewart Years, after the departure of Dave Guard in 1961. <i>Three Song</i> was not a hit for the group. Interestingly, though, it was written by Mason Williams, who, in 1968, scored a huge hit with <i>Classical Gas</i>. <i>Three Song</i> is a lovely little harmony number that has more in common with 60s folk than the manly, Irish pub style ballads that the Kingston Trio became famous for during their early career. The Kingston Trio decided to fold two years later in 1967 due to the changing tastes of the public. That year, </span><span style="font-family: "arial"; font-size: 14.6667px; vertical-align: baseline; white-space: pre-wrap;">John </span><span style="font-family: "arial"; font-size: 14.6667px; white-space: pre-wrap;">Stewart scored a huge hit with <i>Daydream Believer</i> for the Monkees. </span></span><br />
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<span style="font-family: "arial"; font-size: 14.6667px; vertical-align: baseline; white-space: pre-wrap;"><i>No copyright infringement intended. I will remove this immediately at the request of the owners. This channel and blog are not monetized. The purpose is to promote the music. If you like what you hear and it is available on cd, vinyl or as a digital download, please purchase and support the artists & labels.</i></span></span><br />
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<span style="font-size: 14.6667px; vertical-align: baseline; white-space: pre-wrap;"><span style="font-family: "arial";"><b>Kingston Trio - Three Song from Stay Awhile - Decca (1965) </b></span></span></span><br />
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<tr><td class="tr-caption" style="text-align: center;">Kingston Trio - Three Song from Stay Awhile - Decca (1965) </td></tr>
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Rob Keithhttp://www.blogger.com/profile/10078103056137847453noreply@blogger.com0tag:blogger.com,1999:blog-7944575899245062447.post-29668687389484540202016-02-21T06:09:00.002-08:002016-02-21T15:27:21.019-08:00The Castells - Just Walk Away - Decca (1965)<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="color: #eeeeee;"><span style="background-color: transparent; font-family: "arial"; font-size: 14.666666666666666px; font-style: normal; font-variant: normal; font-weight: 700; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">Song:</span><span style="background-color: transparent; font-family: "arial"; font-size: 14.666666666666666px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"> Just Walk Away</span></span></div>
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<span style="color: #eeeeee;"><span style="background-color: transparent; font-family: "arial"; font-size: 14.666666666666666px; font-style: normal; font-variant: normal; font-weight: 700; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">Writers:</span><span style="background-color: transparent; font-family: "arial"; font-size: 14.666666666666666px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"> Gary Usher & Raul Abeyta</span></span></div>
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<span style="color: #eeeeee;"><span style="background-color: transparent; font-family: "arial"; font-size: 14.666666666666666px; font-style: normal; font-variant: normal; font-weight: 700; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">Producer:</span><span style="background-color: transparent; font-family: "arial"; font-size: 14.666666666666666px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"> Gary Usher</span></span></div>
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<span style="color: #eeeeee;"><span style="background-color: transparent; font-family: "arial"; font-size: 14.666666666666666px; font-style: normal; font-variant: normal; font-weight: 700; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">Recorded:</span><span style="background-color: transparent; font-family: "arial"; font-size: 14.666666666666666px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"> 1965</span></span></div>
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<span style="color: #eeeeee;"><span style="font-family: "arial"; font-size: 14.6667px; font-style: italic; line-height: 1.38; white-space: pre-wrap;">Purchase </span><a href="http://www.amazon.com/Castells-Beyond-1964-66-Various-Artists/dp/B00UI74ZV0/ref=sr_1_3?s=music&ie=UTF8&qid=1448488609&sr=1-3&keywords=castells" style="font-family: arial; font-size: 14.6667px; font-style: italic; line-height: 1.38; white-space: pre-wrap;" target="_blank">The Castells and Beyond 1964 - 1966 here</a><span style="font-family: "arial"; font-size: 14.6667px; font-style: italic; line-height: 1.38; white-space: pre-wrap;">. </span></span><br />
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<span style="color: #eeeeee;"><span style="font-family: "arial"; font-size: 14.6667px; vertical-align: baseline; white-space: pre-wrap;">Credit should go to <a href="https://www.youtube.com/user/sunshinetunes67/videos" target="_blank">Rich from SunshineTunes67</a>, who first shared this song in 2009, along with a bonus demo version. </span><span style="font-family: "arial"; font-size: 14.6667px; white-space: pre-wrap;">I highly recommend a auditory stroll through his epic sunshine pop YouTube posts. </span></span><br />
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<span style="color: #eeeeee;"><span style="font-family: "arial"; font-size: 14.6667px; white-space: pre-wrap;">I had the soaring, cinematic <i>Just Walk Away</i> on continuous repeat for about 2 weeks after I first heard it. <i>Just Walk Away</i>, with a monumental Chuck Girard vocal, double bass, and Wrecking Crew backing (unconfirmed), is my favorite Gary Usher composition and production. Not only was the song not a hit, but it probably sold about 5 copies in 1965, judging by the scant availability of this 45 on the used vinyl market. This would definitely be in my top 10 " this should have been a hit" list.</span></span><br />
<span style="color: #eeeeee;"><span style="font-family: "arial"; font-size: 14.6667px; vertical-align: baseline; white-space: pre-wrap;"><i><br /></i></span>
<span style="font-family: "arial"; font-size: 14.6667px; vertical-align: baseline; white-space: pre-wrap;"><i>No copyright infringement intended. I will remove this immediately at the request of the owners. This channel and blog are not monetized. The purpose is to promote the music. If you like what you hear and it is available on cd, vinyl or as a digital download, please purchase and support the artists & labels.</i></span></span><br />
<span style="color: #eeeeee;"><span style="font-family: "arial"; font-size: 14.6667px; vertical-align: baseline; white-space: pre-wrap;"><i><br /></i></span>
<span style="font-size: 14.6667px; vertical-align: baseline; white-space: pre-wrap;"><span style="font-family: "arial";"><i><b>The Castells - Just Walk Away - Decca (1965)</b></i></span></span></span><br />
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #eeeeee;">The Castells - Just Walk Away - Decca (1965)</span></td></tr>
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Rob Keithhttp://www.blogger.com/profile/10078103056137847453noreply@blogger.com3tag:blogger.com,1999:blog-7944575899245062447.post-69289965288954237322016-02-14T06:28:00.000-08:002016-02-14T06:28:36.126-08:00The Free Design - Felt So Good from One by One - Project 3 (1971) & Light In the Attic (2005)<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="color: #eeeeee; font-family: "arial" , "helvetica" , sans-serif;"><span style="background-color: transparent; font-size: 14.6667px; font-style: normal; font-variant: normal; font-weight: 700; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">Song:</span><span style="background-color: transparent; font-size: 14.6667px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"> Felt So Good</span></span></div>
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<span style="color: #eeeeee; font-family: "arial" , "helvetica" , sans-serif;"><span style="background-color: transparent; font-size: 14.6667px; font-style: normal; font-variant: normal; font-weight: 700; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">Writer: </span><span style="background-color: transparent; font-size: 14.6667px; font-style: normal; font-variant: normal; font-weight: 700; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">Chris Dedrick</span><span style="background-color: transparent; font-size: 14.6667px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"> </span></span></div>
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<span style="color: #eeeeee; font-family: "arial" , "helvetica" , sans-serif;"><span style="background-color: transparent; font-size: 14.6667px; font-style: normal; font-variant: normal; font-weight: 700; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">Producer:</span><span style="background-color: transparent; font-size: 14.6667px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"> Enoch Light</span></span></div>
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<span style="color: #eeeeee; font-family: "arial" , "helvetica" , sans-serif;"><span style="background-color: transparent; font-size: 14.6667px; font-style: normal; font-variant: normal; font-weight: 700; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">Engineers:</span><span style="background-color: transparent; font-size: 14.6667px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"> Don Hahn & Dixon Van Winkle</span></span></div>
<span style="color: #eeeeee;"><span style="background-color: transparent; font-size: 14.6667px; font-style: normal; font-variant: normal; font-weight: 700; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">Recorded:</span><span style="background-color: transparent; font-size: 14.6667px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"> 1971</span></span><br />
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<span id="docs-internal-guid-1c17c82f-4059-72cb-68d7-ea37b6ca798d"><span style="font-size: 14.6667px; font-style: italic; vertical-align: baseline;">One by One is available <a href="http://www.amazon.com/One-5-FREE-DESIGN/dp/B016QCPDBG/ref=sr_1_5?s=music&ie=UTF8&qid=1448484469&sr=1-5&keywords=free+design+one+by+one" target="_blank">here</a>.</span></span>
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<span style="color: #eeeeee;"><span style="background-color: transparent; font-size: 14.6667px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"><span style="font-size: 14.6667px; font-style: italic; vertical-align: baseline;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></span></span>
<span style="background-color: transparent; font-size: 14.6667px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"><span style="font-size: 14.6667px; font-style: italic; vertical-align: baseline;"><span style="font-family: "arial" , "helvetica" , sans-serif;">The Free Design are brilliant, and this is my favorite FD song, written by Chris Dedrick from the band. The music is clearly recorded by brilliant session players, weaving in and out of the arrangement with smooth, seamless, innovative runs and grooves. Chris and Sandy Dedrick credit Bob Mann for his fantastic melodic guitar lead on <i>Felt So Good</i>. The music is trippy with a touch of supercharged propellant. <i>Felt So Good</i> is a unique blast of genius from what was, sadly, the final album from the group. </span></span></span></span><br />
<span style="background-color: transparent; font-size: 14.6667px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"><span style="font-size: 14.6667px; font-style: italic; vertical-align: baseline;"><span style="color: #eeeeee; font-family: "arial" , "helvetica" , sans-serif;"><br /></span></span></span></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
<span style="background-color: transparent; font-size: 14.6667px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="color: #eeeeee; font-size: 14.6667px; vertical-align: baseline;"><i>No copyright infringement intended. I will remove this immediately at the request of the owners. This channel and blog are not monetized. The purpose is to promote the music. If you like what you hear and it is available on cd, vinyl or as a digital download, please purchase and support the artists & labels.</i></span></span></span></div>
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<span id="docs-internal-guid-1c17c82f-405b-0b60-5752-bc28a6e1351a"><span style="color: #eeeeee; font-family: "arial"; font-size: 14.6667px; vertical-align: baseline; white-space: pre-wrap;"><b>The Free Design - Felt So Good from One by One - Project 3 (1971) & Light In the Attic (2005)</b></span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilEiGxs3Ie8hMLrsTTchUFu8_nagni3O9Tnbqq4ksPis4_7o18Lxa3Y7-QFk-5AvvgjgldhT1vBjrnGZI7nI8MVKsg3JAatFKzosXQXN1taCdKQvJGquRqkbrCyjCn0cpzDiW-3x54Oks/s1600/free+design+1.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="386" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilEiGxs3Ie8hMLrsTTchUFu8_nagni3O9Tnbqq4ksPis4_7o18Lxa3Y7-QFk-5AvvgjgldhT1vBjrnGZI7nI8MVKsg3JAatFKzosXQXN1taCdKQvJGquRqkbrCyjCn0cpzDiW-3x54Oks/s400/free+design+1.jpeg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">The Free Design - One by One - Project 3 & Light In the Attic (1972)</td></tr>
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Rob Keithhttp://www.blogger.com/profile/10078103056137847453noreply@blogger.com3tag:blogger.com,1999:blog-7944575899245062447.post-14771371832834630642016-02-07T09:59:00.002-08:002016-02-07T09:59:40.361-08:00The Four Tops - Wonderful Baby from Reach Out & b-side - Motown (1968)<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="color: #eeeeee;"><span style="background-color: transparent; font-family: "arial"; font-size: 14.666666666666666px; font-style: normal; font-variant: normal; font-weight: 700; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">Song:</span><span style="background-color: transparent; font-family: "arial"; font-size: 14.666666666666666px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"> Wonderful Baby</span></span></div>
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<span style="color: #eeeeee;"><span style="background-color: transparent; font-family: "arial"; font-size: 14.666666666666666px; font-style: normal; font-variant: normal; font-weight: 700; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">Writer:</span><span style="background-color: transparent; font-family: "arial"; font-size: 14.6667px; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"> Smokey Robinson</span><span style="background-color: transparent; font-family: "arial"; font-size: 14.666666666666666px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"> </span></span></div>
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<span style="color: #eeeeee;"><span style="background-color: transparent; font-family: "arial"; font-size: 14.666666666666666px; font-style: normal; font-variant: normal; font-weight: 700; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">Producer:</span><span style="background-color: transparent; font-family: "arial"; font-size: 14.666666666666666px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"> Smokey Robinson</span></span></div>
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<span style="color: #eeeeee;"><span style="background-color: transparent; font-family: "arial"; font-size: 14.666666666666666px; font-style: normal; font-variant: normal; font-weight: 700; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">Recorded:</span><span style="background-color: transparent; font-family: "arial"; font-size: 14.666666666666666px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"> 1968</span></span></div>
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<span style="background-color: transparent; color: #eeeeee; font-family: "arial"; font-size: 14.666666666666666px; font-style: italic; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"><a href="http://www.amazon.com/Reach-Out-Cardboard-High-Definition-Replica/dp/B00IJLO2NS/ref=sr_1_2?s=music&ie=UTF8&qid=1448500287&sr=1-2&keywords=four+tops+reach+out" target="_blank">Purchase The Four Tops - Reach here</a>.</span></div>
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<span style="color: #eeeeee;"><span style="font-family: "arial"; font-size: 14.6667px; vertical-align: baseline; white-space: pre-wrap;">I tend to prefer late 60s / 70s Motown, because the music began to break out of the cookie-cutter production line sound. I had never heard Wonderful Baby until I purchased <i>Phil Spectre - Wall of Soundalikes Volume 2</i>. The entire <i>Reach Out</i> album by the Four Tops is fantastic. It is fun to hear a track that is unjustly obscure from a familiar group.</span></span><br />
<span style="color: #eeeeee;"><span style="font-family: "arial"; font-size: 14.6667px; vertical-align: baseline; white-space: pre-wrap;"><br /></span><span style="font-family: "arial"; font-size: 14.6667px; vertical-align: baseline; white-space: pre-wrap;"><i>No copyright infringement intended. I will remove this immediately at the request of the owners. This channel and blog are not monetized. The purpose is to promote the music. If you like what you hear and it is available on cd, vinyl or as a digital download, please purchase and support the artists & labels.</i></span></span><br />
<span style="color: #eeeeee;"><span style="font-family: "arial"; font-size: 14.6667px; vertical-align: baseline; white-space: pre-wrap;"><i><br /></i></span>
<span style="font-size: 14.6667px; vertical-align: baseline; white-space: pre-wrap;"><span style="font-family: "arial";"><b>The Four Tops - Wonderful Baby from Reach Out & b-side - Motown (1968)</b></span></span></span><br />
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<tr><td class="tr-caption" style="text-align: center;">The Four Tops - Reach Out - Motown (1968)</td></tr>
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Rob Keithhttp://www.blogger.com/profile/10078103056137847453noreply@blogger.com0tag:blogger.com,1999:blog-7944575899245062447.post-90279874210378029502016-02-01T04:48:00.000-08:002016-02-01T08:34:36.586-08:00Part Two: Swinging Blue Jeans - You're Welcome To My Heart - EMI (unreleased until 1992)<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="color: #cccccc;"><span style="background-color: transparent; font-family: "arial"; font-size: 14.6667px; font-style: normal; font-variant: normal; font-weight: 700; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">Song:</span><span style="background-color: transparent; font-family: "arial"; font-size: 14.6667px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"> You're Welcome To My Heart</span></span></div>
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<span style="color: #cccccc;"><span style="background-color: transparent; font-family: "arial"; font-size: 14.666666666666666px; font-style: normal; font-variant: normal; font-weight: 700; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">Writers:</span><span style="background-color: transparent; font-family: "arial"; font-size: 14.666666666666666px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"> Bateman-Moseley-Wicker</span></span></div>
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<span style="color: #cccccc;"><span style="background-color: transparent; font-family: "arial"; font-size: 14.666666666666666px; font-style: normal; font-variant: normal; font-weight: 700; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">Producer:</span><span style="background-color: transparent; font-family: "arial"; font-size: 14.666666666666666px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"> unknown</span></span></div>
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<span style="color: #cccccc;"><span style="background-color: transparent; font-family: "arial"; font-size: 14.666666666666666px; font-style: normal; font-variant: normal; font-weight: 700; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">Engineer:</span><span style="background-color: transparent; font-family: "arial"; font-size: 14.666666666666666px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"> unknown</span></span></div>
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<span style="color: #cccccc;"><span style="background-color: transparent; font-family: "arial"; font-size: 14.6667px; font-style: normal; font-variant: normal; font-weight: 700; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">Recorded:</span><span style="background-color: transparent; font-family: "arial"; font-size: 14.6667px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"> unknown - unreleased until 1992</span></span></div>
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<span style="background-color: transparent; color: black; font-family: "arial"; font-size: 14.666666666666666px; font-style: italic; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"><a href="http://www.amazon.com/Good-Golly-Miss-Molly-Years/dp/B003L4L1FK/ref=sr_1_2?s=music&ie=UTF8&qid=1448504870&sr=1-2&keywords=swinging+blue+jeans+EMI" target="_blank">Purchase Swinging Blue Jeans - Good Golly, Miss Molly (EMI Years 1963-1969) here.</a></span></div>
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<span style="font-family: "arial";"><span style="font-size: 14.6667px; line-height: 22.4889px; white-space: pre-wrap;">This was the first version of <i>You're Welcome To My Heart</i> that I heard. British Invasion bands were notorious for nicking rare soul songs from the USA and topping the chart placings of the originals. This version seems to have everything going for it, with great singing, majestic Abbey Road production and a killer mix. Unfortunately, this version of <i>You're Welcome To My Heart </i>was not released during the band's lifetime, dooming the song to unfair obscurity. The Swinging Blue Jeans version was first released in 1992. Hear the original version by the Chantels <a href="http://resurrectionbeatmachine.blogspot.com/2016/01/part-one-chantels-youre-welcome-to-my.html" target="_blank">here</a>. </span></span><br />
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<span style="background-color: transparent; color: #cccccc; font-family: "arial"; font-size: 14.666666666666666px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"><br /></span></div>
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<span style="background-color: transparent; color: #cccccc; font-family: "arial"; font-size: 14.666666666666666px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">No copyright infringement intended. I will remove this immediately at the request of the owners. This channel and blog are not monetized. The purpose is to promote the music. If you like what you hear and it is available on cd, vinyl or as a digital download, please purchase and support the artists & labels.</span></div>
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<span style="background-color: transparent; font-size: 14.6667px; line-height: 20.24px; vertical-align: baseline; white-space: pre-wrap;"><span style="font-family: "arial";"><b>Swinging Blue Jeans - You're Welcome To My Heart - EMI (unreleased until 1992)</b></span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8jGSbK-xIdlZWuQbaAmzNIOb0Z_GPsYM0NFYu1Yp-fCsAnngNZFNEBke398TV6G6xroHQck9PK6LeQqsDiJou5OPgvmJrTtsseg4koa_SNfHk7ZhAUBWwpwN5xycXnusQxC1L4N0Bn8U/s1600/swinging+1.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8jGSbK-xIdlZWuQbaAmzNIOb0Z_GPsYM0NFYu1Yp-fCsAnngNZFNEBke398TV6G6xroHQck9PK6LeQqsDiJou5OPgvmJrTtsseg4koa_SNfHk7ZhAUBWwpwN5xycXnusQxC1L4N0Bn8U/s400/swinging+1.jpeg" width="395" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Swinging Blue Jeans - Good Golly, Miss Molly! The EMI Years 1963-1969</td></tr>
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Rob Keithhttp://www.blogger.com/profile/10078103056137847453noreply@blogger.com0tag:blogger.com,1999:blog-7944575899245062447.post-13372115413903553202016-01-21T04:39:00.001-08:002016-01-21T04:39:36.987-08:00Part One: The Chantels - You're Welcome To My Heart - Verve (1966)<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="color: #eeeeee;"><span style="background-color: transparent; font-family: "arial"; font-size: 14.666666666666666px; font-style: normal; font-variant: normal; font-weight: 700; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">Song:</span><span style="background-color: transparent; font-family: "arial"; font-size: 14.666666666666666px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"> You're Welcome To My Heart</span></span></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
<span style="color: #eeeeee;"><span style="background-color: transparent; font-family: "arial"; font-size: 14.666666666666666px; font-style: normal; font-variant: normal; font-weight: 700; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">Writers:</span><span style="background-color: transparent; font-family: "arial"; font-size: 14.666666666666666px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"> </span><span style="font-family: "arial"; font-size: 14.6667px; line-height: 20.24px; white-space: pre-wrap;">Bateman-Moseley-Wicker</span></span></div>
<div dir="ltr" style="line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;">
<span style="color: #eeeeee;"><span style="background-color: transparent; font-family: "arial"; font-size: 14.666666666666666px; font-style: normal; font-variant: normal; font-weight: 700; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">Producers: </span><span style="background-color: transparent; font-family: "arial"; font-size: 14.6667px; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">Bateman & Moseley</span></span></div>
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<span style="color: #eeeeee;"><span style="background-color: transparent; font-family: "arial"; font-size: 14.666666666666666px; font-style: normal; font-variant: normal; font-weight: 700; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;">Recorded:</span><span style="background-color: transparent; font-family: "arial"; font-size: 14.666666666666666px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"> 1966</span></span></div>
<span style="color: #eeeeee; font-family: "arial"; font-size: 14.6667px; line-height: 22.4889px; white-space: pre-wrap;"><br /></span>
<span style="color: #eeeeee; font-family: "arial"; font-size: 14.6667px; line-height: 22.4889px; white-space: pre-wrap;">Under different circumstances, </span><i style="color: #eeeeee; font-family: arial; font-size: 14.6667px; line-height: 22.4889px; white-space: pre-wrap;">You're Welcome To My Heart </i><span style="color: #eeeeee; font-family: "arial"; font-size: 14.6667px; line-height: 22.4889px; white-space: pre-wrap;">by the Chantels would have been a hit. It should have been a hit. It is a great song. It isn't perfect, though. The mix seems claustrophobic for 1966. The reverb-less, dry vocals choke some of the majesty from the piece, although the singers nail their parts. If Tony Hatch had gotten his hands on this tune and the group, the fate of </span><i style="color: #eeeeee; font-family: arial; font-size: 14.6667px; line-height: 22.4889px; white-space: pre-wrap;">You're Welcome To My Heart</i><span style="color: #eeeeee; font-family: "arial"; font-size: 14.6667px; line-height: 22.4889px; white-space: pre-wrap;"> may have been very different. It probably didn't help that Verve was such a small label with limited power. </span><br />
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<span style="background-color: transparent; color: #eeeeee; font-family: "arial"; font-size: 14.666666666666666px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"><br /></span></div>
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<span style="background-color: transparent; color: #eeeeee; font-family: "arial"; font-size: 14.6667px; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"><i>No copyright infringement intended. I will remove this immediately at the request of the owners. This channel and blog are not monetized. The purpose is to promote the music. If you like what you hear and it is available on cd, vinyl or as a digital download, please purchase and support the artists & labels.</i></span></div>
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<span style="background-color: transparent; color: #eeeeee; font-family: "arial"; font-size: 14.666666666666666px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"><br /></span></div>
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<span style="background-color: transparent; color: #eeeeee; font-family: "arial"; font-size: 14.666666666666666px; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;"><b>The Chantels - You're Welcome To My Heart - Verve (1966)</b></span></div>
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<tr><td class="tr-caption" style="text-align: center;">The Chantels - You're Welcome To My Heart - Verve (1966)</td></tr>
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Rob Keithhttp://www.blogger.com/profile/10078103056137847453noreply@blogger.com0